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John J. Fink
Home
Words
Teaching
Curation
Films
About
John J. Fink
Home
Words
Teaching
Curation
Films
About
Home
Words
Teaching
Curation
Films
About

Words

Commentary + Reviews

Recently published at The Film Stage:

John Fink’s Top 10 Films of 2024

John Fink’s Top 10 Films of 2023

SXSW Review: Brother Against Brother

SXSW Review: Ghost Boy

SXSW Review: Death of a Unicorn

SXSW Review: The Baltimorons

SXSW Review: The Rivals of Amziah King

SXSW Review: The True Beauty of Being Bitten by a Tick

SXSW Review: Fucktoys

Sundance Review: All That’s Left of You

Sundance Review: Seeds

Sundance Review: By Design

Sundance Review: Plainclothes

Sundance Review: Bunnylovr

SXSW Review: Civil War

SXSW Review: Ghostlight

SXSW Review: MoviePass, MovieCrash

SXSW Review: Y2K

SXSW Review: The Fall Guy

SXSW Review: Monkey Man

SXSW Review: The Greatest Hits

Sundance Review: Eno

Sundance Review: Soundtrack to a Coup d’Etat

Sundance Review: Sujo

Sundance Review: Luther: Never Too Much

Sundance Review: Girls Will Be Girls

Sundance Review: Daughters

Interview: The Journey of Making a Living as a Documentary Filmmaker: Chris Wilcha on Flipside

Montclair Review: Robot Dreams

Archive at The Film Stage

Graduate Thesis:

Reframing the Frameless: The Future Evolution of Large Format and Premium Format Film (2013)

John J. Fink

johnjfink@gmail.com